Archive for the ‘Electronics’ Category

Weekly News Roundup (24 June 2012)

Sunday, June 24th, 2012

Welcome to another edition of the WNR. Whether you had a busy and productive week, or a slow and unfruitful one (or combinations of the aforementioned), I hope that you at least had a good week. I’ve long since believed that being productive does not equal good, and sometimes an unfruitful week can have its own rewards too (like levelling up 6 levels in Diablo 3). News wise, same old same old, really – not much, but still a few interesting ones to poke a stick at. Running kind of late, and far too tired to be doing any sort of writing in be fully honest (didn’t sleep well last night), so let’s get started and let’s get it ended as soon as possible!

Copyright

Could the MPAA and RIAA start suing individuals again? Well, if you refer to the details of the “graduated response” deal they made with US ISPs, then yes, it could happen again.

Of course, just because they could, it doesn’t mean they will. The negative publicity from these lawsuits far outweigh any perceived benefit from going after your single mothers and college students, that is for these cases to become deterrents for others (hasn’t really worked, has it?), and both groups have signalled they’re no longer going in this direction. The language will be there in the agreement because nobody wants any doors to be closed for future potential actions, however remote the chances of these actions occurring are. Still, the agreement does say that ISPs will be providing an awful lot of information about repeat offenders to the likes of the MPAA and RIAA, but when you’re already playing the copyright police and spying on your own paying customers, passing on their personal details to the lawyers of some of the world’s biggest corporations does seem to fit the trend.

Megabox

Could Megabox still be set for a 2012 launch? Megaupload’s Kim DotCom seems to think so!

Megaupload’s Kim DotCom (he really does need to change his name if he wants people to take him serious again, in my opinion) got himself on Twitter this week, and the charismatic (former?) billionaire didn’t disappoint. Revealing that he was visited by none other than Apple’s co-founder Steve Wozniak, the more interesting reveal was that Megabox, the new music sales and sharing platform that’s supposed to end the major recording label’s monopoly on music distribution, is not as dead as everyone had thought it was. While providing little detail except for a blurry screenshot, DotCom did post that “It is coming and it will unchain you”. I talked about Megabox back in January after Megaupload was shuttered, but sensibly, everyone had just assumed that the site was dead in the water –  a real coup for the RIAA, intentionally or otherwise. The idea behind Megabox seems solid – artists sell directly to fans without having to go through labels, and as a result, artists get to keep up to 90% of the revenue. The Internet being the best self-publishing platform to have ever been invented, it’s no surprise that traditional publishing will be hurt as people cleverer than me come up new ways for creative people and their work to get noticed without having to hand over most of the revenue. So even if Megabox is dead, something like it will emerge, eventually.

High Definition

Last week, Roku’s CEO said Blu-ray was dead. This week, research released by the NPD shows that Blu-ray players are not dead at all – they’re just not being always used as Blu-ray players!

NPD’s latest research shows that 80% of those who have Blu-ray players connected to the Internet have used their players to download or stream video content. With the number of connected Blu-ray players growing (considering how many of these now come with Wi-Fi built-in, as opposed to being dependent on a well placed Ethernet cable), it appears at first that Net savvy consumers are voting with their remotes and telling content distributors how they want their content. Of course, without detailed stats on how frequently people use streaming service, all we can see is a possible trend (if that), but it’s clear that this Internet streaming thing isn’t just another fad.

The study also found that “only” 64% of connected game consoles were used to access services like Netflix and Hulu, but since it’s probably more likely that a game console is connected to the Internet than a Blu-ray player, this kind of makes sense. What I did find surprising was that only 15% of tablet and smartphone users were viewing movies via the Internet, but I think this figure will rise dramatically once you remove smartphones from the figure (and I suspect none of these figures include YouTube).

Gaming

And finally, in gaming news, a leaked Microsoft document from a couple of years ago could provide some clues as to what the Redmond giant’s next game console could look like.

The leaked document, which has since been removed, supposedly provide details of a presentation made in 2010 about the future of the Xbox gaming system. I’ll leave you to read the full news story to get the gist of it, but suffice to say, Kinect 2 plays a big part, and augmented reality, head/eye controllable glasses are also being considered.

OnLive

Microsoft was considering either acquiring OnLive, or launching their own similar “microconsole” concept

What I found most interesting was the concept of a “dumb console”, with a similar meaning to the more common use of this term, but applied perhaps even more appropriately to game “consoles”. Using a similar technology to OnLive (which apparently Microsoft had wanted to acquire at that time), games are processed “in the cloud” with the A/V being streamed to “microconsoles” that do very little other than process input and output. This way, the console itself does not need to be upgraded, but the content will continue to improve in quality, with all of the heavy lifting done in the cloud. Of course, things like latency, so important for gaming, could be an issue – but OnLive seems to make it work okay, as long as you have a good broadband connection. But the appeal is definitely there – not only are publishers satisfied by forcing gamers to be “always online”, and thus reduce piracy issues, the ability to get next-gen graphics without buying new hardware does seem like a good deal for gamers too (and for gaming companies like Microsoft and Sony, who make most of their money from games, when they’re not losing tons of it on the actual consoles themselves).

Of course, the leaked document might not be real, and even if it is real, it’s quite dated, As we get closer to the actual release date sometime in 2013, the real information will be artfully leaked, and completely accidentally, I’m sure.

Even with this WNR barely getting over the 1000 word mark, it’s still time to call it a day (or night) as we’ve run out of news. See you next week.

Weekly News Roundup (15 April 2012)

Sunday, April 15th, 2012

Welcome to another edition of the WNR. Not a very busy weeks judging by the number of news stories, so hopefully we can get this done rather quickly. I’ve been busy working on that little update for Digital Digest, which I promise will be launched next week, even if it’s still only half-completed (to be fair, it’s more like 80% completed). And you know I’m serious about meeting this rather artificial deadline by the fact that I didn’t even play that much Skyrim this past week!

One development that came too late in the week to be included was the March NPD results, and I’ll write the full report early next week.

Copyright

Let’s start with the copyright news, starting with the revelation that, even within the MPAA itself, not everyone was convinced that SOPA was the right solution for the web piracy problem.

SOPA Protests

It seems the anti-SOPA/PIPA sentiment was also alive and well within the MPAA itself (photo credits: Alain-Christian @ flickr)

When the anti-SOPA Internet Society hired a former MPAA executive, there was a bit of a controversy as you would expect. This prompted the MPAA’s former chief technology policy officer, Paul Brigner, to come out and explain a few things about his new appointment, including his apparent opposition to SOPA/PIPA. It seems Brigner left the MPAA at least partially because he felt SOPA was not the right solution to the piracy problem, and that SOPA and other “mandated technical solutions” are not “mutually compatible with the health of the Internet”. If the MPAA can’t even convince it’s own tech policy officer of the merits of SOPA, perhaps it really doesn’t have much merit at all.

But you get the feeling that the MPAA will never be fully satisfied until they get the power to not only squash any website it wants, but also to force others (like ISPs, governments) to help them do most of the heavy lifting. They will have ruined the Internet by then of course, probably only to find out that piracy has not only not slowed, but it has shifted to other parts of the Internet that can’t be easily controlled or legislated. And that, without argument, would be a far worse situation than what the one today.

It appears “blowback” invariably happens every time the copyright lobby launches a new crackdown, especially using technological measures. Every DRM has been met with an even stronger anti-DRM. Going after torrent sites have only resulted in more resilient torrenting methods. Which seems to indicate that going after video embedding, the MPAA’s latest manoeuvre, may backfire as well. The MPAA is getting itself involved in a legal showdown that originally only involved an adult entertainment company, Flava Works, and myVidster, a website that allowed people to post and share their video embeds, but  now includes the likes of Google, Facebook, the EFF, and of course, the MPAA. The tech giants saw the original court ruling, which was in favour of Flava Works, as severely flawed, setting a precedent that could have huge repercussions for the entire Internet. The judge in the case failed to make the distinction between linking/embedding, and hosting, something that could make Google Images liable for the copyright infringement of any image in its database for example, or make Facebook sharing a legal minefield. There was also the issue of a “repeat infringer” policy, or Flava Works’ claim that myVidster did not have one, and how it relates to linked/embedded and hosted infringement. It seems to me that the DMCA is rather unclear about what a “repeat infringer” is, and it seems the law leaves service providers and Internet intermediaries to define what it actually means and what kind of policy to implement, even if it is one not to the satisfactory of content holders. And since myVidster did have a working DMCA take-down process, and that it did not host anything, the ruling seems a bit harsh. Also, you have to question why Flava Works went after myVidster, instead of going after the hosts of the actual videos, the dime a dozen porn tube sites. The responsibility cannot keep on flowing downwards until you get to someone that’s easier to sue.

Hotfile

Hotfile's expert says the most downloaded files on their network were two open source files

An anti-MPAA theme seems to be developing this week, since the only other copyright story is also MPAA related. This one has to do with the MPAA’s lawsuit against Hotfile, where the MPAA, using their own expert, argued that 90% of all downloads on Hotfile were infringing content, and that the Hotfile had few, if any, legitimate uses. This week it was revealed that Hotfile’s own expert, Duke University law professor James Boyle, found that this really wasn’t the case at all. Professor Boyle found that in actual fact, the two most downloaded files on Hotfile were actually open source software, with more than 1.5 million downloads between them. And while the “90%” figure wasn’t entirely debunked, and I think it’s hard to argue against the fact that a large percentage of total downloads on file hosting sites like Hotfile and Megaupload are of the infringing nature, I think in terms of the sheer number of different uploads (ie. not taking into account the number of downloads), I suspect there is also a large percentage of non infringing files on these networks (your typical spreadsheet, Word doc, PDF, home videos and other files too large to share via email, that may very well only be downloaded once, but still a key reason why people use file hosting sites).

This really is another grey area in the law. Take an extreme example where 90% of all different files on Hotfile were non infringing, but 90% of all downloads were infringing, then would Hotfile’s non infringing uses make it legal, assuming the website had a working DMCA process? How much is too much, and how much is “enough” when it comes to anti-piracy?

High Definition

I read an interesting article this week on Forbes’ blog, where the headline was “Sony’s Blues Caused By Blu-ray”, a rather controversial title if you ask me.

The actual article, despite the headline, did cover more than just Blu-ray, and it did raise a couple of interesting points. So are Sony’s recent woes caused by Blu-ray? The recent woes being the global layoffs and the lack of profitability, of course, but to blame it on Blu-ray seems a bit counter-intuitive, considering Blu-ray seems to be the only recent success for Sony.

But what the Forbes blog, written by contributor Stephen Pope, was perhaps trying to say is that while Blu-ray is a victory for Sony, it just wasn’t a big enough victory to help the company stay profitable, and that in the end, it may even only a fleeting victory, considering the growing popularity of streaming vs discs.

Sony Blu-ray

Sony's Blu-ray victory may be short lived, as consumers are keen to move onto streaming (photo credits: mroach @ flickr)

I’ve long held the believe that Sony lost its dominance in the gaming sector by allowing the Xbox 360 to be a viable successor to the PS2, due to the one year delay in releasing the PS3 and the high initial cost of the hardware – both factors very much related to the included Blu-ray support. So while the PS3 helped Sony win the HD format wars, it also hindered Sony in keeping their dominance in the gaming arena. Looking at the current range of multi-platform games and the quality difference between the PC/Xbox 360 DVD version of the PS3 Blu-ray version, it seems the Blu-ray disc’s superior capacity has done little to actually benefit the gaming experience. And while the platform exclusives do try and make the best use of Blu-ray, they just aren’t selling enough to make a huge difference compared to the mega multi-platform franchises of Call of Duty or FIFA or GTA.

And streaming certainly does look like the future, if only for the fact that discs and the drives that read them are just not compatible with today’s portable devices. There is also a trend to consume more content (often for less money), and the physical cost and space that discs (and their packaging) requires, puts a limit on this consumption (while raising the price of it – last year, the average price people paid for streaming content was 51 cents, compared to $4.72 for discs). And access, with discs being limited to what you have purchased or what your rental outlet has in stock, just can’t compete with a streaming digital library of hundreds of thousands of titles that will never “run out of copies” (or suffer from bad scratches).

And even in terms of data storage, the 50GB Blu-ray offers, or even the 100+GB of BDXL pales in comparison to the TBs of data people need these days for their digital needs. So you have a multi-TB drive the size of a small book versus shelves full of BDs that you have to take time to burn, label, organize, that actually costs many more times than the drive – even in data storage, Blu-ray may be too little, too late.

So Pope certainly makes a few valid points, although I would say the biggest problem for Sony is that it is neither the design powerhouse that is Apple (Sony is at times too preoccupied with things like copy protection to consider things like ease of use, in my opinion), nor can it compete in the value stakes with the likes of Samsung (a company that’s also doing more on the innovation front than Sony, in my opinion).

Gaming

For gaming, the March NPD was yet another victory for the Xbox 360 (that’s 15 months in a row where the Xbox 360 has been the top selling home based console), although being the best of a bad bunch may not be such a meaningful award.

Also interesting was the news that Mass Effect 3 sold 4 times as many copies on the Xbox 360 than on the PS3 (I’m assuming this is North America only). This is perhaps a special case because the game carries on your saved progress from the last game in the series, not helped by the fact that the original game wasn’t even available on the PS3 (instead, relying on an interactive comic to record the key decision carried over from the first game). Also not helping is the fact that the PS3 is getting itself a rather bad reputation for having inferior multi-platform games, not just on ME3, but also on the other mega franchises such as Skyrim and CoD.

And I guess I also have to mention Skyrim’s upcoming Kinect support for the Xbox 360 version. The preview video looks pretty cool, although it looks like the game will only take advantage of Kinect’s voice support (and so the same features can probably be replicated via the PlayStation Eye’s microphone, if Sony really wanted it to happen by giving Bethesda some financial incentives, or making it really easy programming wise to do so. Some of the new Kinect features are already available via PC mods though, with a normal microphone, or even via the Kinect connected to your PC).

Screaming Fus Ro Dah at your TV is probably the geekiest thing anyone will do this year!

The unrelenting force of my addiction to Skyrim means that, just by mentioning it, I now have the sudden urge to play it for another hour or two. Which of course means we’ve come to the end of this WNR. See you next week.

Weekly News Roundup (18 March 2012)

Sunday, March 18th, 2012

Welcome to another issue of the WNR. As promised, I put up the February US video game sales analysis earlier in the week. Nothing too surprising, just your usual “everything is doomed” set of stats. Is this a case of having a new normal, with the previous normal having been exaggerated by the success of the Wii, or something more sinister? With Microsoft saying this week they won’t be showing a new Xbox at E3 this year, and Sony in a similar state of mind, it will be up to the Wii U to save the coming holiday season it seems.

Work meant that my Skyrim adventures had to take a back seat this week, although I still had time to kill a vampire or two, a couple of giants (now much more easily dispatched via my legendary enchanted Daedric weapons), and the odd chicken via collateral damage.

Oh, it was also my birthday last week. I wonder at what age do you stop looking forward to your birthdays, and start dreading them because you’re getting older? For me, this happened on my 7th birthday.

Let’s get started with this WNR.

Copyright

Big news for US web users this week, as from July onwards, your ISP will officially start spying on your net activities for big content (ie. the RIAA and MPAA).

With very little evidence showing “graduated response” actually works to increase revenue, remembering that this, and not reducing piracy, is the ultimate goal, it will be interesting to see what the American version can amount to. It will be different to the French version though, in that each ISPs can decide to take whatever action it deems necessary, including no specific action and just a continuing series of warnings – with permanent account suspension not being considered so far.

It marks an important milestone in the war against piracy, and along with the RIAA’s victory over LimeWire a couple of years ago, the closing of Megaupload (and others) this year, you’d expect that piracy rates would start dropping, if it hasn’t already. Yet, all you continue to hear is how the industry is still losing billions of dollars every year, and how the problem is getting worse. With the RIAA and MPAA getting what they wanted this time, yet again, would it then be safe to conclude that, if a year from now and with revenue still not up significantly, that enforcing copyright may not actually lead to increased revenue? I’ve always found the idea of people hoarding tons of money saved from piracy, instead of simply spending the money on something else, quite funny. As is the idea of people spending more money than they actually have, when their supply of pirated content is cut off (which is an impossibility in itself).

But according to the likes of the RIAA and MPAA, piracy is a $58 billion dollar a year problem, and that if the piracy problem is magically solved somehow, creative industries would suddenly gain most of that back in revenue. But with the RIAA and MPAA already equating every single instance of copyright infringement to be worth at least $150,000,  via their much publicized lawsuits against students and single mothers, $58 billion may even seem a conservative figure. This “Copyright Maths” is the topic of a new TED speech by Rhapsody founder Rob Reid, a short must-watch video that shows how crazy the figures being thrown around really are. That an iPod classic can hold $8 billion worth of pirated songs based on the $150,000 calculation show how ridiculous it all it (a figure almost as ridiculous as the $40,000+ people are required to pay to fill up the same iPod with legal purchase).

And after the speech, Reid was asked what would be the best way to combat piracy. The answer was basically “give the people what they want”, by building legal services that people wanted to use, that makes piracy seem not worth the trouble. Do that, and the piracy problem will solve it self. Why go to the trouble of finding and downloading each song, when you have Spotify and millions of songs for instant gratification, for example. The same is probably even more true for movies, which are harder to download due to their larger file size (which also limits the amount of archived content that’s made available).

Kaleidescape

A full Kaleidescape set-up is for serious movie lovers, people unlikely to pirate movies (and more likely to overpay for them)

The problem is though that instead of giving people what they want, the movie and music industries are actually pursuing the opposite agenda. It cannot be better demonstrated than by the legal decision this week which banned Kaleidescape from selling its DVD and Blu-ray media servers. Piracy was just a convenient excuse for the body responsible for DVD copy protection, the DVD CCA, to legally pursue Kaleidescape, despite the core audience of Kaleidescape’s servers not being pirates at all. In fact, Kaleidescape demonstrated the amazing fact that, on average, each of their customers had a legal movie library of 500 titles or more. Considering the cost of these server set ups, it’s not hard to understand why this is the case, because their product is one for serious movie lovers with the required expendable income – and these people are not movie pirates. In fact, they’re probably the movie industry’s most hard-core customers.

So what does the industry have to gain by denying their biggest fans what they want?  The answer is of course “control”. They’re perfectly happy to let you “convert” your DVDs to a purely digital format, with Wal-Mart this week offering a “DVD to Ultraviolet” service for $2 (or $4 to “upconvert” your DVDs to a HD digital version). But as always, it comes with a catch. You’ll have to use the movie studio’s preferred platform, live with their DRM system, which then controls how you’ll be able to use your digital copy (which may even expire in time). It will invariably mean a worse user experience than something for enthusiasts like Kaleidescape, but a better experience may mean a loss of control, and that’s just not acceptable. And if all of this means they can charge you again and again for the same thing, then that’s just a sweet, sweet bonus.

High Definition

With the new iPad still making headlines, I thought I would jump on the bandwagon and write something about what could be considered Apple’s first HD tablet (1024×768 is not HD, as if it was, then it meant that I had HD on my first 486 computer).

With the new iPad resolution coming in at 2K, or 2048×1536, that’s a resolution higher than your average HDTV. Of course, a true enthusiasts won’t just see the fact that the screen would perfectly render a 1920×1080 resolution video with a couple of pixels to spare, they will of course wonder if you could expand the resolution of the video from 1920 to 2048 and use up all of the available pixels for a 2048×1152 video.

iTunes vs Blu-ray @ 1080p

iTunes 1080p compares well to Blu-ray, according to tests done by Ars Technica

But what may be more interesting is how Apple plans to distribute 1080p movies to the new iPad, as streaming of 25GB+ movies is not ideal, even with 4G. Ars Technica took the time to test several of iTunes’ new 1080p encodes, and compared it to the Blu-ray equivalent, and what they found was rather surprising – that somehow, a 5GB iTunes file isn’t 5 times worse in quality than a 25GB Blu-ray. By supporting the “High” H.264 profile, as well as increasing the “Level” support to 4.1, all now possible on the faster hardware of the new iPad (and iPhone 4S, as well as the updated Apple TV), the decoder can now be made to do more work, and the result is a more efficient encode. VUDU’s HDX does something similar to allow 1080p streaming on your average 10Mbps connection (Blu-ray, on the other hand, may require 30Mbps just for the video). Sure, you’ll lose a lot of fine detail, there will be banding and other aberrations, but that’s all moot on a 9.7″ screen. On a large screen TV connected via Apple TV, this may be an issue, but only for those serious about their movie watching, in which case, they would probably never consider Apple TV or iTunes 1080p anyway. For the rest, it’s “good enough”, and the convenience of it all makes up for everything else.

Mac Observer did similar tests but found wildly different results, so either Ars Technica did their test wrong, or Mac Observer did (or maybe video quality varies too much from movie to movie).

And with that, we come to the end of another WNR. See you next week.

Weekly News Roundup (11 March 2012)

Sunday, March 11th, 2012

Welcome to another edition of the WNR. I hope you’ve had a good week. Me? I’ve been busy with a secret project for Digital Digest, something I hope I can unveil in a week or two. Well, it’s not really a secret, but it’s not ready for public consumption just yet. It will be a relatively small change on the scale of things, but hopefully one that will make navigating the website a little bit easier.

As such, I haven’t really been playing much Skyrim this week. I might also be playing the game the wrong way, because I now have quite a backlog of major and minor quests that’s going to be a pain to clear (and I keep on picking up new ones). Sometimes having too much to do in a game can be a frustrating experience too.

The New iPad

It's better, but what I want to know is what are the new things I'm able to do with the new hardware, that I couldn't do on the iPad 2

I suppose I should also mention the iPad 3, oops, I mean the “new iPad”. It seems I’m not the only one that’s under-whelmed by Apple’s new tablet offering (and not the only one to cringe at the “resolutionary” pun either). There’s really nothing wrong at all with the new iPad – it’s faster, it’s a little bit heavier than the iPad 2 but does not affect usability, the screen is a beauty and the price is right too. So why am I under-whelmed? For me, it’s the lack of “the new things you can do with it” that’s under-whelming – a sharper screen is better, but how does that translate into a new way to use the iPad?

Apple’s strength has always been in selling what you can do with its hardware, rather than the hardware itself (which traditionally hasn’t been state-of-the-art – see Mac vs PC debate). For example, Apple didn’t sell the fact that the iPad 2 had a front facing camera, it sold the concept of FaceTime. The iPod also wasn’t the first digital music player, but Apple sold it, alone with iTunes, as a new way to buy music. I won’t even need to mention what the iPhone meant, but even the incremental 4S upgrade introduced Siri, a new way to use your smart device that unexpected failed to make the transition to the new iPad (not yet, anyway). Imagine if Apple had launched the iPhone 4S without Siri – that, to me, is what the new iPad feels like.

With that said though, the new iPad still looks like a no brainer for people who want an easy to use tablet, so it will sell in droves regardless. But I just think Apple could have marketed it a bit better, to at least give us a glimpse of what the faster processor, better screen is capable of, that makes the iPad 2 obsolete. But maybe that’s not the strategy this time, as perhaps the major change this time is the introduction of a new budget iPad model – the old iPad 2. Good enough for most people, and at $399, it will offer serious competition to budget Android tablets.

Anyway, let’s get started on the news roundup.

Copyright

The impact of the Megaupload seizure continues to reverberate this week, as the MPAA now wants to use the seizure as proof of guilt in its own court case.

Back when the Mega-seizure happened, I mentioned the MPAA’s civil lawsuit against Hotfile, and how Hotfile and Megaupload’s business models were very similar. I suggested that if no criminal case had been brought up against Hotfile, and that the matter was largely proceeding on civil grounds, then what makes Megaupload so different that the FBI needs to get involved. This week though, the MPAA made the same argument, but the one on the other side of the coin, that because Hotfile and Megaupload were so similar, Hotfile is just as guilty, and so the court should hand down a summary judgement on the matter. The MPAA is using the fact that because a court has granted federal prosecutors the right to take such drastic actions against Megaupload, that there is already enough evidence to suggest that their business model would not stand up to scrutiny in a court of law. There’s is some merit to the argument, but the government has yet to prove its case against Megaupload in a court of law, no matter how convincing their (one sided, it has to be said) arguments have been so far.

The curious thing is that if the MPAA is granted a summary judgement against Hotfile, then this decision could be used in the Megaupload trial as some sort of precedent, even though the summary judgement may have only occurred due to the Megaupload case. It’s a kind of circular logic that could very well have been orchestrated by the MPAA (since the MPAA are one of the key instigators of the Megaupload takedown), to kill two birds with one stone.

The scale of the Mega-takedown has also had consequences for other governments and law enforcement agencies not wanting to look weak on copyright (I’m sure the likes of the RIAA and MPAA have been pressuring them to match the efforts shown by the US government). The Swedish government has no doubt been under a lot of pressure to take action against “Swedish” website The Pirate Bay, particular now that the website has switched to using a Swedish .se domain name. What the Swedish government wasn’t aware of was that investigative notes were being leaked to the operators of The Pirate Bay. And from those leaks, it appears a new series of raids and arrests might be occurring soon. Having already been raided once, which took the website down for a whole three days, the new Pirate Bay seems to be designed to be much more resilient, much harder to take down (and easier to get back up again). The cat and mouse games between the authorities and TPB has only managed to create a stronger mouse – the cat simply hasn’t been able to keep up.

Hadopi Logo

French "three-strikes" has been working for two years now, but where's the evidence it's actually "saving" the music and movie industry?

Staying in Europe, last week, the UK High Court handed down a ruling that paves the way for ISPs to block access to The Pirate Bay. This week, another ruling against ISPs paves the way for the UK’s own version of “three-strikes” to go ahead, as the Court of Appeal upheld the legality of such a system. Not that there’s any evidence to suggest that  graduated response, the technical term for “three-strikes”, actually works. I recently read that the French version of three-strikes, nicknamed Hadopi (after the government agency responsible for it) is costing as much as $90 million per year to run. Whereas the only evidence of the program’s success so far, that has been presented by rights holder, is a measly 5% increase in revenue for iTunes over a 2 year period. Considering that iTunes sales worldwide (and with most countries not having a three-strikes regime) went up 36% year-on-year based on Q3 2011 results, the measly 5%, over a 2 year period, seems quite insignificant, and might even point to the opposite conclusion if we’re being cavalier with our statistical analysis. To me, graduated response simply isn’t worth it from a financial point of view, and it’s definitely not worth it when you factor in loss of privacy and other rights.

Losses due to piracy has always been a debatable subject. Whether someone who pirated software ever intended to buy the same thing is almost impossible to predict, as it’s really hard to know what people are wiling and unwilling to pay for. Take Warner Bros. latest idea, their “Disc to Digital” program. The program asks DVD owners to drive to a retail store, hand their original disc to a clerk, who runs the disc through a special machine that eventually produces a purely digital version of the disc, for use on iPads and whatnot (complete with DRM, of course). WB thinks people are willing to not only go to the trouble of doing this, as opposed to simply ripping it at home, but that they’re also willing to pay for the same movie twice. And so if people are not doing it WB’s way, and they’re not making this extra profit, then WB will simply count this as “lost” revenue, and blame it all on home DVD ripping.

Public Knowledge - "Legal DVD Ripping" alternative

Warner Bros. "Disc to Digital" program vs traditional DVD ripping, compared

If you think WB’s legal DVD ripping solution is convoluted, then you’re not alone, because public interest group Public Knowledge also think it’s ridiculous to suggest that consumers would embrace this “alternative”. PK is currently petitioning the US Copyright Office to legalize DVD ripping, and one of the arguments put forward by movie studios, against the idea, is that legal alternatives exist – WB’s “Disc to Digital” being one of the examples referenced by the MPAA. There’s obviously a demand for DVD ripping, even the movie industry accepts this is the case, as otherwise, they wouldn’t be offering their own solution to the problem. But if this is the industry’s idea of adapting to consumer demand, then it really just highlights again how out of touch they have become, and how we really shouldn’t trust their idea of “lost revenue”.

And finally in copyright, a story about our good friends Righthaven, and possible one of the last ever stories on the infamous copyright firm. This week, a judge granted the request to auction off most of Righthaven’s existing copyrights, including the very rights they obtained for sue-for-settlement purposes. Without having any rights to the content they’re pursuing bloggers and non-profits for copying, it really puts an end to all of their pending lawsuits (and appeals), and this, more than anything, is a mortal blow for the firm. Unless Righthaven can manage a revival of Lazarushian proportions, I suspect the next story I write on the firm will be its obituary.

Gaming

In gaming news, the NPD stats for February 2012 are out, and it looks like I *will* be able to write an analysis for it thanks to there being enough data.

The Xbox 360 won the month again, although both the PS3 and Wii recovered from the January lows. All are down compared to the same month last year though. The lack of any really good releases, and the fact that we may be getting towards the end of the current generation’s sales cycle (or at least well past the midway point), suggests that sales won’t be picking up until the next-gen comes out.

Speaking of next-gen, the latest rumour says the Xbox 720 or whatever may in fact be disc-less. So definitely no Blu-ray playback if that’s the case, although I think physical media are still very much needed to distribute multi Gigabyte games to millions of gamers given the current state of high speed (ie. 40Mbps or faster) broadband saturation. The same argument exists for HD movies, which is why Blu-ray discs will still be around for a while yet.

I think that covers everything for this week, so have a nice one and see you in seven.

Weekly News Roundup (23 October 2011)

Sunday, October 23rd, 2011

Welcome to yet another edition of the WNR, as we approach the final straight of 2011. I’m going to have to squeeze this one out in quick fashion, because I’m currently having a bit of bother with one of my servers (the one that hosts the forum), and so my attention is needed elsewhere. I really really really hate server management. I really do.

Copyright

Let’s get started with the copyright news for the week. It’s a well known fact that the current White House is very much a friend to the copyright lobby, then again, it’s hard to find a politician in Washington that isn’t, considering the fair and balanced way the RIAA/MPAA spreads their lobbying efforts.

Joe Biden and Victoria Espinel

Biden and Copyright Czar Victoria Espinel were instrumental in getting the copyright lobby their ISP 'graduated response' deal, new emails reveal

But a freedom of information request by a curious Internet security researcher has revealed just how much work the Obama administration is actually doing on behalf of the copyright lobby, helping them to get a good deal against America’s largest ISPs in the recent ‘graduated response’ deal. It appears that the newly appointed Copyright Czar, Victoria Espinel, was not only on perhaps too friendly terms with the RIAA/MPAA, but may have also neglected to involve other interested parties in the negotiations, such as consumer rights groups, until it was too late. Vice President Biden’s office has also been revealed as working hard to help the music and movie industries get the best deal, but this is no surprise because Biden’s pro-copyright views were well known before he teamed up with Obama.

So once again, we have a government elected by the people that is only looking out for the interests of private corporations, because in the end, lobbyists are more important than voters in Washington, it appears. And the most depressing thing about it all is that a change of administration won’t change things, and may actually make things worse, as the RIAA/MPAA have been clever in their lobbying, much like how Wall Street does it, by giving all major parties a piece of the pie. It’s precisely things like this that make people want to occupy streets, squares, and other public venues.

While not strictly copyright related, but you can’t rule it out, but Google’s decision this week to ban FrostWire from the Android Market has people talking. Well everyone, except Google themselves, as they still refuse to release the reason why file sharing app FrostWire was given the boot. It could be related to the recent troubles FrostWire had with the FTC, in which the FTC sued the makers of FrostWire for possible privacy violations – the crux of which is that FrostWire shares downloaded files by default, and while most people don’t mind or don’t care, the FTC thought it was problematic enough to take action. But the case has since been settled, with FrostWire long ago making the required changes to its software, including the Android version, and so Google’s recent decision is a strange one, especially as it comes almost immediately *after* the settlement of the FTC case.

But once again, the biggest criticism of Google is its lack of transparency and even basic communication. Anyone that has actually tried to reach a real person who works for Google will know how hard it is, and sometimes it’s just downright impossible. App makers are also not too unfamiliar with Google bans that defy explanation, and the only information they receive (if they receive anything at all) is some vague message about violation of the terms and conditions.

For now, the FrostWire app is still available on their website, but without a listing on Android Market, all those that purchased the app will find it difficult to update to the latest version, so the Google ban is also unfair to the more than million end users who have downloaded FrostWire so far.

Google G2 Android Phone

Steve Jobs accused Android of "stealing" from iOS, a new biography reveals

And while we’re talking about Android, did you hear about the latest revelations about what Steve Jobs thought of Google’s Android? In the authorized biography that is released this week, Jobs apparently went crazy when HTC released an Android phone that Jobs thought copied too much from the iPhone. Apparently, Jobs threatened to go “thermonuclear” to “right this wrong”, even if it meant spending “last dying breath” to do so. Fortunately, from what I read, Jobs made peace with Google towards the end, and so hopefully, he didn’t spend too much time thinking about the “stolen product” Android during his last days.

This isn’t the normal sort of copyright issue I post about here though, but it just goes to shows how trivial allegations of non commercial, home user copyright abuse is, when compared to what a corporation can get up to, at least according to Steve Jobs. I don’t know if Google really is guilty in this, but I think the smartphone market is better having someone like Android competing with iOS, and it forces Apple to make iOS better as well. And with Apple’s policy of not allowing others to use iOS, someone was always going to come up with an operating system that’s  “iOS for non Apple devices”, because it’s such a huge market segment to ignore.

Getting back on track again, we also have a brewing story this week that involves the Anonymous, AiPlex and WNR. Yes, this WNR. Last week, I received an email from AiPlex asking us to remove this particular WNR edition, because AiPlex weren’t happy at the way they were portrayed in the article. But if you read the article, all it did was report on then recent events, particularly quotes published in a TorrentFreak article that appears to show AiPlex engaged in some fairly illegal denial-of-service activity against torrent websites, as part of their anti-piracy strategy. AiPlex later denied either making the quotes or alleged they were misquoted, but it was too late, and then Anonymous decided to take matters in their own hands and launched the first in a series of attacks that still continues today. Of course, most people have forgotten about AiPlex, but their latest effort to “erase history” may very well re-ignite people’s interest in the company, as apparently, a lot of bloggers also received similar messages, reports TorrentFreak.

On my part, I’ve offered AiPlex space on the WNR and in our (currently down) forum to post their version of what happened, but I’ve not heard back from them since.

High Definition

In HD/3D news, it’s been a historic week for Blu-ray (well, the history was actually made a couple of weeks ago, but we’ve only just got the data now), as Blu-ray’s weekly market share went over the 40% mark for the first time ever.

The Lion King Blu-ray

The Lion King Blu-ray was released in four separate Blu-ray+DVD combo packs, and all sales are counted as "Blu-ray only"

It was down to a bit of statistical manipulation, but it’s still a significant milestone for the format. The statistical manipulation comes from counting Blu-ray + DVD combos as Blu-ray only, and with Disney’s policy of timed exclusives for the combo version (with no Blu-ray only version, and the DVD only version coming more than a month later), all it takes is a classic re-release to push Blu-ray market share to record levels. This time, it was The Lion King that was responsible, which was released with no less than 4 distinct editions, none of which was actually Blu-ray or DVD only. The release of Fast Five also helped greatly to take Blu-ray above 40%.

Will Blu-ray push through the 50% mark this year? It could in the next few weeks, but once the real holiday season starts in December, it will be more difficult as DVD sales are high as well during this period. Blu-ray revenue, for sure, should reach record levels towards the last few weeks of December, and will probably go over the $150 million mark for weekly sales.

But the biggest threat to Blu-ray is not DVD, but perhaps web based content, as a new survey shows that 20% in the US are already enjoying web content on their primary television sets, as opposed to just on the computer. And it’s largely thanks to Blu-ray that this is the case, since Internet connected Blu-ray players have helped the likes of Netflix expand their coverage. Game consoles are probably primarily responsible, but the PS3, which is also a Blu-ray player, has been key as well. So overall, Blu-ray has been the needed Trojan Horse to get web streaming into people’s homes, and the survey conducted by Boston’s Strategy Analytics seems to show it has worked. What I found interesting was that the rate of viewing web content on TVs in Europe was much lower, 10%, and I think that has a lot to do with the lack of available free content such as that offered by Hulu, and the lack of an almost ubiquitous service like Netflix being available.

The most attractive thing about web content is probably the on-demand nature of it, as you can choose what to watch and when. And if the right content is available at the right price, stats show that people are willing to pay, and this could help fight the online piracy problem as well. And with TVs now integrating online streaming support directly, web streaming should grow considerably.

But for cinema quality HD, Blu-ray is still the king at the moment, and will be until 100 Mbps fibre connections become more common.

Not much going on in gaming, and I really need to take care of the server situation, so this is as good a place to end this week’s WNR. See you next week.