Archive for the ‘DVD’ Category

Weekly News Roundup (February 11, 2018)

Sunday, February 11th, 2018

Hello! Welcome to another issue of the WNR. I hesitated about actually writing one this week, since there really isn’t much going on, but I don’t really want to make it a habit of skipping issues, which I know has become a bit too frequent recently, so I thought I would just cover what I can and then rant for the rest of it. So basically, the same as usual.

Copyright

Denuvo Cracking

If you want to, you can try your hand at cracking Denuvo yourself

Those that have been following my coverage of Denuvo related news in the last couple of months will know the game ‘Assassins Creed Origin’. It is one of the many high profile games protected by version 4 of Denuvo’s anti-tampering engine, and by recent comparisons, one of Denuvo’s success stories. That story is still very much a success, even though ‘Assassins Creed Origin’ was finally cracked last week.

For those keeping count, that’s about 4 months of protection for the triple-A game, which in piracy terms, is an eternity (most sales happen in the first few weeks). So for Denuvo, is has been a success story, but for crackers engaged in a war of attrition with the company, the cracking of ‘Assassins Creed Origin’ was also a success story, at least from a technical point of view.

Also interesting is that one cracker, known as Voksi, has even released a YouTube tutorial on how to crack Denuvo v4 yourself. I say tutorial, but for most of us, it might as well be in an alien language (or as someone posted on Reddit, like “giving a monkey a physics textbook”).

So the current state of warfare is this. Denuvo is using more and more complicated techniques to add and hide “triggers” into the game code that the Denuvo engine checks for at run time to detect tampering. The problem with this is that this also becomes increasingly resource intensive, to the point where eventually, game performance will be severely affected. Crackers are also finding it harder to find and remove these triggers. With a new version of the engine, crackers have to figure out where these triggers are and this is an time intensive process at first. This can be automated eventually, and so once a game is cracked, the time between it and the next crack will get increasingly shorter, and eventually, an avalanche of releases make their way to the scene. Then Denuvo comes out with a new version, and the game continues.

Will Denuvo eventually run out of ways to protect the triggers, or if it’s too much of a performance hit to do so? Don’t know, but cracking group are very determined to see this war all the way to the end, and usually when this is the case, the crackers usually win.

But for now, Denuvo can still license their engine to game publishers keep to protect their game – even if the protection only lasts 2 weeks, that’s still better than nothing in the publisher’s thinking. That is unless gamers start complaining loudly about Denuvo and its impact on game performance (if it’s proven beyond a doubt that Denuvo is a resource hog – we still can’t really say because the current crack is a workaround which does not remove Denuvo running in the background, but merely bypass it) and start voting with their wallets – maybe only then, with that kind of public backlash, will publishers think twice about putting Denuvo into their games.

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Deadpool on Ultra HD Blu-ray

UHD not enough to prevent the slide in Blu-ray revenue

While news is a bit light, I’ve been preparing the stats and graphs for our annual “Blu-ray: The State of Play” article, where I summarise how Blu-ray, DVD and Ultra HD Blu-ray are doing. 2016 saw a slight improvement for Blu-ray, possible related to the release of the UHD format, or possibly just due to the caliber of releases.

So what happened in 2017? You’ll have to wait for our full analysis to find out, but spoiler alert: Blu-ray is not doing very well. I mean, it’s still doing better than DVDs, but we’re looking at almost a 7% decline in revenue, and where for most weeks in 2017, Blu-ray revenue was down compared to the same week in 2016. Even UHD couldn’t save the day (or year) this time.

Keep your eyes peeled for the full analysis soon.

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Well, that’s it really for the week. Here’s hoping for a bit more to write about next week. Until then, have a great one!

Weekly News Roundup (February 4, 2018)

Sunday, February 4th, 2018

Alright, it’s going to be another short one this week, as news was light on the ground again. So without wasting too much of your time …

Copyright

Redbox Kiosk

Redbox fires back against Disney with its own lawsuit

The Redbox/Disney legal tussle gets interestinger by the minute, this time, Redbox’s the one killing trees by filing a lawsuit against the studio. Redbox claims that Disney has had it in for them from the very beginning, refusing to work with them, creating artificial barriers and even going after Redbox’s business partners to pressure them not to do business with the rental kiosk company.

Redbox says that unlike most other studios that have all come to some sort of agreement with the company, Disney at first demanded a 28 day exclusion window for Disney titles in Redbox vending machines, and when Redbox circumvented this by buying discs at retail to fill their machines, Disney went after any distributor or retailer found to be doing business with Redbox in this way.

What really got Disney angry was that Redbox had found the value spot when it came to buying Disney titles and maximizing their profit. Instead of buying individual packs, Redbox bought combo packs that contained the Blu-ray, DVD and even a Digital Copy of the film. Redbox then rented out the two discs types individually, and just recently, started selling the Digital Copy code. This was the final straw for Disney, who sued Redbox in early December.

I’m really sitting on the fence on this one. In my opinion, it’s pretty clear that Redbox has been skirting around the lack of a deal with Disney. Buying from retail, separating a combo pack, and re-selling Digital Codes, all sounds a little dodgy in my opinion, and not something a company that has over 42,000 kiosks should be doing. Disney of course is only looking after themselves, and they couldn’t care less if people are inconvenienced from being to rent their movies from Redbox, not if they can maximize their own profits. It’s greed vs greed, and it feels to me this is something the two companies should hash out behind closed doors, not in a court of law.

As to who I think has a better case, if I had to guess based on the court’s tendency to favour the big guys, Disney will probably win both cases. It’s all about whether Disney has the right to prevent their retail products being used in this way – the disclaimers and warnings make it clear how Disney wants their products to be used, but will these stack up in court?

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That’s all I have for you this week though. More next week, I’m sure. So until then …

Weekly News Roundup, Looking Back at 2017 (December 17, 2017)

Monday, December 18th, 2017

Sorry for the lateness of this roundup. Two things happened. One, I was an idiot and slammed the car door on my left index finger, and so typing, while not impossible, became not quite a pleasant experience. And two, there really wasn’t much going on. So the originally plan was, before the finger ouchie, was to do a kind of brief roundup for the year. That is still the plan, but I’m afraid it will be even briefer now.

Let’s get started.

Copyright

So a lot has happened in terms of copyright news, and and in another aspect, not much has happened. Hollywood and the music industry are still going after the “bad guys”, only the bad guys will change from time to time (the lack of any effect on piracy, remains unchanged).

YouTube Targeted

YouTube is destroying the music industry according to the music industry

For the music industry, YouTube is now the new enemy number one, after having bit of a whinge at Spotify last year. Both YouTube and Spotify have virtually ended piracy as a thing, but because the music industry doesn’t make as money from these platforms as they like (kinda their own fault for not inventing these platforms, the ones that their customers had pleaded for them to introduce, and leaving it for the tech heads to disrupt the industry), they hate it.

They do have a point. As I’m typing this, I’m listening to The Last Jedi soundtrack on YouTube, an official legal upload by DisneyVEVO. There will be lots of people like me that, because of the availability of free listening, won’t bother to pay for it. And the ad money that these uploads make, won’t amount to much I suspect (the same ad for the movie Ferdinand playing over and over again hasn’t made me want to watch it). But in the past, people like me might have just pirated the soundtrack which means no revenue for the labels. So you win some, you lose some. And perhaps there will be others that actually buy the music after hearing and liking it on YouTube or Spotify.

But the fact of the matter is that streaming now accounts for the majority of the music industry’s income, income that has shrunk a lot since the heydays of CDs. People not willing to pay as much for music is now a reality, regardless of who is to blame (and maybe the greater availability of entertainment, from Blu-rays to Netflix to mobile gaming to social media, none of which existed during the peak of CD sales, has had a greater effect than piracy or even the move to digital). Accepting the reality and trying to adapt to it is a much better strategy than complaining about the present and reminiscing about the “good old days”.

MXQ Player

Kodi boxes were public enemy number one

For Hollywood, they too have a new Boogeyman in the form of Kodi boxes. Kodi boxes makes piracy too easy, argues the MPAA. This is true, but it wasn’t as if piracy was rocket science to begin with (especially if you have a geeky boyfriend/girlfriend/brother/sister/cousin/friend that can help you out). The real reason the MPAA is going after Kodi box makers is that it’s easy. These people usually have a traceable bank account, maybe even a real business address, and so it’s so much easier than going after Torrent sites and private trackers.

Going after someone, particularly an easy target that you can take to court and win easy cases against, makes the industry feel they’re doing something, and makes the MPAA relevant. It has no actual effect on anything though, because all that will happen is that we’ll begin to see a lot more Kodi box makers emerge from the traditional markets that are out of the jurisdiction and reach of the MPAA. People will also now learn how to make their own Kodi boxes, which isn’t too hard to begin with (again, the geeky boyfriend/girlfriend/brother/sister/… comes in handy).

HBO Hack

Hacking became a new source for pirated content

Hacking has become a real problem for Hollywood though, with the high profile HBO hack coming to mind. It’s not as disruptive as say general piracy, but in many ways, it is much more damaging. Not just the leak of unreleased content, but also emails and other data that studios would liked to have remained private.

There is also renewed attack on Safe Harbor protection, not just in the U.S., but in Australia too. Hollywood is seeking to erode the legal protection offered to tech companies, protection that has been essential in the creation of platforms like YouTube and Facebook. To be fair, this line of attack is not new, but Hollywood and the copyright industry are getting closer to rewriting copyright law than ever before.

And finally, the Weinstein expose will hopefully have a positive effect on the perverse and unhealthy culture in Hollywood and elsewhere.

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Disney content on Netflix

Disney (and Fox) will be a real threat to Netflix

The biggest disruption to business as usual in Hollywood in 2017 may have only occurred in the last few days, with the news that Disney will buy Fox. Two huge studios are now just one mega huge studio, and that has wide ranging effects on all parts of the industry. With Disney already announcing they’re coming after Netflix, the acquisition of Fox means they now have the content to mount a real battle. There is also Hulu, which has had a great year thanks to The Handmaid’s Tale. Hulu is co-owned by Fox, Disney and a few others – it will now be majority owned by Disney, and is already a threat to Netflix and Amazon.

And the timing of the acquisition and the move into the streaming market couldn’t be more better. With the physical media business, one that Disney dominates thanks to its mega franchises, losing steam again in 2017 after a brief hiatus in 2016, the signs are already there. Ultra HD Blu-ray has done well actually, but it was always a niche market and the declines in standard Blu-rays and DVDs cannot be ignored (sales dropped by 8.5% and 15.7% respectively for Black Friday).

2017 probably marked the end of 3D as a serious format on home video as well, with fewer and fewer 3D TV sets being produced, and not that many movies being released either.

Gaming

Nintendo Switch Mario Odyssey Bundle

The Nintendo Switch is the must-have toy for Christmas

Gaming also saw some big changes in 2017. Two big new (or newish) consoles were released in 2017, the Nintendo Switch and the Xbox One X. But only one of these will be the must-have item for Christmas, and that’s the Nintendo console. The hybrid nature of the console, the line-up of great games (Zelda in particular), and the same-old-same-ness of the PS4 and Xbox One offerings really helped to convince many that the Switch is the one to have. Just about every Christmas ad I’ve seen for department store or online retailers, or even credit card companies, feature the Switch as a much wanted gift. This is just a reflection of reality, but at the same time, it’s great promotion for Nintendo.

It was a big gamble for Nintendo, and I’m happy for them that it paid off. Creativity and risk taking is something that the gaming industry lacks sometimes, and so it’s always nice to see innovation win the day, rather than just better graphics and higher framerates.

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I know it’s not much of a roundup, and I’m sure I’ve actually missed talking about most of the things that have happened this year, but you know how hard it is to type without your left index finger? Actually not as hard as I thought it would be, but still hard. Until next week or when my finger heals a bit more, have a great one!

Weekly News Roundup (December 10, 2017)

Sunday, December 10th, 2017

Welcome to another WNR. It’s been a very quiet week, and I expect a few of them going into the holiday break. But as long as there’s a single story to talk about, we’ll be here, even if the WNR, like this one, might be a very short one indeed.

Copyright

Redbox Kiosk

Disney going after Redbox for re-selling digital copy codes

It’s not often that I agree with the premise behind a Hollywood studio’s lawsuit. These types of lawsuits usually tend to exaggerate the scale of the problem, frequently ignore the principles of fair use, and mostly just used by studios for propaganda purposes, with no real effect on piracy.

But Disney’s lawsuit against Redbox, from a common sense point of view, does seem to have merit. Redbox has been buying Disney movies at retail and putting them in their Redbox kiosks. This part I have no problems with, and while I’m sure Disney would prefer a more formalised deal, this isn’t what the lawsuit is about. What it is about is Redbox taking the Digital Copy inserts from these Blu-ray or DVD movies and then selling them to their customers, despite it being made very clear that these Digital Copy codes are not for sale or transfer.

I’m sure individuals have done this before – to sell the Digital Copy codes on at a discount compared to what the movie would normally cost on iTunes. But for a company to do this, on such a scale commercially, they’re just asking for trouble. The fact of the matter is that Disney and other studios offers a “discount” on these digital copies as part of a Blu-ray or DVD combo in order to promote their disc sales, even though they know this will eat in to their digital only business. Redbox actions removes any incentive Disney has for going down this road, and at the same time, takes a chunk out of Disney’s digital sales.

Redbox’s argument seems to be that it’s good for the consumer, and so they should be allowed to do it. They have a point in that, by offering these digital downloads at a discount, it’s doing us consumers a favour. But we all know that if this is Redbox’s only argument, then it will not hold up in court, because there are plenty of “pro-consumer” products and activities that are, at the end of the day, outright illegal.

High Definition

Redbox’s actions are not really a threat to Disney’s disc and digital sales, as the studio is doing roaring business thanks to its major franchises, all of which seem to do well on Blu-ray. But with that said, discs sales are definitely down all around. With Black Friday just out of the way, I’ve managed to have a look and write up the sales results from the week, and things aren’t looking up.

Movies at Walmart

Disc sales are down this Black Friday

In fact, almost everything is down. Both Blu-ray sales and DVD sales are down, but because DVD is falling faster than Blu-ray, weekly Blu-ray market share managed to rise compared to the last Black Friday. That’s little consolation considering overall sales were down $36 million, or roughly 13%.

The only bright spot appears to be Ultra HD Blu-ray sales, which now accounts for nearly 10% of all disc sales for many of the top sellers. That’s not bad considering the number of 4K TVs in people’s homes, and the lack of real discounting on BF.

The arrival of subscription streaming, and to a lesser extent, digital sales, have all had an impact on the popularity of discs.

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That’s all we have for you this week it seems. Told you it wasn’t much. Hoping there’s more next week, so until then …

Weekly News Roundup (November 26, 2017)

Sunday, November 26th, 2017

Sorry again for the lack of a WNR last week – I know this is kind of getting ridiculous, but I had a good excuse. I have just moved house and with everything in such a state of mess, I couldn’t even find a proper surface to put my laptop on, let alone do any work (and that’s if I had time, which I didn’t).

You didn’t miss much though, and some of the stuff from then will be covered in this WNR as well. Let’s get going then!

Copyright

HBO Hack

The HBO hacker has been identified as someone who used to work for the Iranian military

I had totally forgotten about it, but apparently the FBI did not, and the identify of the HBO hacker has been revealed. 29 year-old Behzad Mesri is the man the FBI says is responsible for the hack and the leak of confidential information from HBO, which included episode spoilers for ‘Game of Thrones’, as well as actual unaired episodes from other HBO shows.

Mesri had gained access to HBO’s systems, possible through social engineering techniques linked to an executive at the company. He then demanded a ransom payment of $6 million in Bitcoins, but when HBO failed to negotiate, Mesri did what he promised and started leaking content from July through August.

Charges that could carry a maximum of 42 years in prison have been laid, but it’s unlikely Mesri will ever face justice. The reason? Mesri currently live in Iran!

Also noteworthy, but maybe not, was the fact that Mesri used to work for the Iranian military involved in hacking the computer systems of foreign governments and enemies. The HBO hack, then, was probably a stroll in the park for Mesri. There is no suggestion that the Iranian military had any interest in the hack, I mean, why would they unless they too were big fans of ‘Game of Thrones’.

Fair Use

It’s a FU from the MPAA to Australians when it comes to Fair for Australians

Speaking of foreign interference, Hollywood studios are trying to tell us Aussies are not as worthy as Americans when it comes to having fair use protection. The MPAA is lobbying the Australian government to not give us the same rights that citizens of the trade group’s home country, the United States, currently enjoy.

Having fair use rights would enshrine into law the rights that we, as consumers, ought to have when it comes to using content that we’ve already paid for. This would mean things like making a personal copy of a movie ought to be legal, even if it means circumventing copy protection. This would also mean extra protection for educators, and also security researchers when it comes to finding security flaws (as sometimes you need to attempt to break the protection before you can find its weakness). It’s all common sense stuff that kind of falls into a legal grey area at the moment – you’re most likely not going to get sued for it, but even if you do, you’ll most likely win the case in court – fair use exemptions simply make it clearer from a legal point of view what is actually allowed and not allowed.

You would think the creative industry, or everyone really, should embrace injecting this kind of clarity into the copyright laws, but for Hollywood, they are against anything that has the perception of watering down copyright laws, regardless of whether it’s something that’s good for the economy or good for consumers. So I hope the Australian government sees the MPAA’s opinions as exactly what it is – a biased opinion from a group that puts its own self interest above everything, the economy, the rights of its customers, and common sense.

High Definition

With Australian retailers freaking out at the moment about the introduction of Amazon into our market, one thing is for sure, the increased competition should lead to lower prices for a lot of things, and in particular things like DVDs and Blu-rays. This is because a lot of Australians already have experience buying movies from Amazon US or UK (back when the exchange rate was more favourable), so much so, that Amazon has had a local warehouse here for ages now to deal with the ever increasing sales.

Tomorrow Never Dies DVD and Blu-ray

Blu-ray and DVD price drops accelerate due to increasing competition from streaming and digital

It won’t be the only pressure on DVD and Blu-ray pricing though, as the latest data from the UK shows that streaming services such as Netflix and online retailers have had a big effect on when retailers and studios choose to drop prices for the latest films. Retailers are dropping prices sooner and with a great amount than before, according to the latest data, and competition from the likes of Amazon Instant Video and online retailers, as well as supermarkets engaged in loss leading practices, is the main cause.

Adding my own personal anecdotal evidence into the mix, I’ve dramatically cut down on the number of movies I buy on disc since the arrival of Netflix and local streaming options. And so when I buy, it will only be because of a really great price. If other feel the same way as I do, then prices are only going to go down even further. Subscription streaming has definitely, in my opinion, lowered the value of movies to the point where I think it’s ridiculous to pay AUD $30 for one. Buying movies also has other problems that streaming and digital sellthrough does not have – as someone who is in the middle of moving, having endless number of boxes full of Blu-rays and DVDs is a real headache. On the positive side, I’m definitely going to the movies more with the money I’ve saved buying discs (but my overall spending is still way down).

Although with Amazon arriving locally, and if they can give us some great deals on Blu-rays, I might just get back into buying – not as much as before, but more than now. It really is all just about perceived value, isn’t it?

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Well, that’s it for the week. Hope you’ve had a nice Thanksgiving for those in the U.S., a good result from Black Friday (not only in the U.S., it seems to be everywhere now), and hope you grab a bargain on Cyber Monday too. See you next week.