Posts Tagged ‘Disney’

Weekly News Roundup (August 11, 2019)

Sunday, August 11th, 2019

Welcome back to the WNR. Sorry for the long break, but we finally have some worthy news stories to talk about, and so here we are.

High Definition

Regular readers will know how we big up streaming here, and not just because we also run an Australian news site that’s dedicated to the topic of streaming.

But you have to be living under a rock to not notice that streaming is taking over everything, but sometimes some solid stats go a long way to paint a full picture of what’s happening.

That data has been recently provided by analytics firm Conviva, and it shows that streaming media consumption has double over the last year in the United States.

The consumption was led by Roku users, who helped to drive up the adoption of Internet-connected TVs by 143% and accounted for 43% of all connected TV viewing measured by Conviva. Roku themselves are seeing a period of strong growth, with the service now having more than 30 million subscribers.

Photo of Roku Streaming Stick
Roku is the most popular streaming device, according to new data

Adoption of Amazon Fire TV devices also growing strongly over the last year, up 145% and now accounting for 18% of connected viewing.

Here in Australia, our one and only cable TV operator has finally embraced streaming and have started to bundle Netflix with their subscriptions (despite the fact that it tried to launch its own streaming platform). And with broadband speeds increasing and bandwidth costs decreasing all the time, streaming just make more and more sense.

With that said, and this is from my first-hand experience with uploading 4K trailers, we are still dealing with huge files and that it’s going to take a while before we reach mainstream adoption. For one, YouTube’s bitrate of choice for 4K content is only around 13 Mbps (and that’s using the not so efficient VP9 codec, instead of HEVC), and that’s not really enough. But any higher, the number of people able to watch 4K quickly drops from an already small pool of users actively looking for 4K content. So until people can comfortably stream a 30+ Mbps stream and still be able to use their connections for other things, 4K adoption (despite the huge number of 4K or at least 1440p capable devices, including most phones and tablets and TVs sold these days) will be bottlenecked. Let’s not even think about 8K for now.


Disney’s acquisition of Fox is a bold and potentially profitable move for the Mickey Mouse company. But not right now though, because Disney has been surprised at just how much Fox Studios is underperforming right now, with projected profits turning into losses for the last quarter.

Screenshot from Ford v Ferrari
Disney/Fox has high hopes for Ford v Ferrari

The box office for Dark Phoenix was much less than expected, and none of Fox’s other movies also did well enough. The rest of 2019 looks a bit brighter with Ford v Ferrari and Ad Astra, but these are hardly locked in winners.

So if anything, the sale of Fox to Disney came at the right time for the former News Corp studio. Maybe at the right time for Disney as well. Not so much for Fox’s release slate, since Disney is already doing pretty well this year with over $8 billion in box office takings, but as a way to acquire a great back catalogue of titles to fill their Disney+ and Hulu content libraries.


That’s all I have for you this week. Until next time!

Weekly News Roundup (June 9, 2019)

Sunday, June 9th, 2019

Well, that was a longer break than expected. A nice vacation was then followed by the need of a vacation for the vacation, and then a couple of slow news weeks, and here we are!

Even without much news, we’ve been busy adding new trailers to our YouTube channel. Now while we use real 4K content whenever possible, we’re still at the stage of 4K where most trailers are not released in the format. So we have a “special sauce” that we use to upscale it to make it look (and sound) great, unlike other channels that upload 4K trailers that look/sound no better (and often worse) than the original HD version.

Comparison between our "special sauce" upscaled 4K versus basic 4K upscaling
Our 4K quality (left) compared to your standard 4K upscaled trailer – click to enlarge

Of course, your output is only as good as your input, which is why we almost always use ProRes high bitrate (150 Mbps+) sources (not quite uncompressed quality, but close enough) for our trailers. So while we won’t be the first to upload a trailer, we’ll always try to upload the best quality version.

With this promo out of the way, let’s get to the news.

High Definition

So the big news this week, according to many in the press, is that Apple has shut down iTunes. But for those that read articles beyond the headline, you will have realised that Apple didn’t really shut down iTunes. For one, those of us who haven’t yet drunk the Apple kool-aid and still opting to use Windows will be stuck with the frustrating iTunes software to do everything from music downloads to software updates to backups (the fact that the software did so much, too much in fact, is one of the key complaints against the much-maligned software).

A screenshot of the iTunes software
iTunes 2001 – 2019: Will not be missed

Secondly, the iTunes store will remain the way it is, still allowing you to download and store your content locally if you still don’t trust the cloud. So the stories of “the end of downloads” are a bit exaggerated, which was never going to happen while Apple is still making money from them (about a billion a year – down a lot from its peak and a fraction of streaming these days, but hey, who says no to a billion dollars, right).

So what exactly are the changes? For one, on iDevices, the iTunes app will be replaced with three different apps: Music, Podcasts and Television. By splitting the bloated iTunes app into three separate apps, it allows each app to be better customized for the user’s needs, and to have an interface that’s better suited for the content in question. You got to remember that iTunes started out as a media player before it morphed into software that attempted to do everything. So it’s a great idea for the three iTunes sub-apps to go back to their roots.

As for how will Mac people do updates, backups and restores? They will find the same functionality that used to be in iTunes as part of the Finder app, which should have been the way from the get-go. I don’t know about you, but I think using a media player to do OS updates and system backups makes zero sense, and it’s something even the worst Windows versions (Me, Vista, in no particular order) didn’t force users to do. So it’s ironic that Windows people are still stuck having to use iTunes to do everything.

Moving quickly away from the beginnings of a Mac vs Windows flame war, and to the upcoming Netflix vs Disney+ flame war, it appears many in the U.S. are already aware of Disney+ despite almost zero promotional stuff so far.

And the awareness to sign-up ratio is actually pretty good, with 22% of U.S. households appear willing to sign up. And a great sign for Disney is that the group with the highest potential sign-up rate is households with kids, which surely has to be the Mickey Mouse company’s main demographic.

A screenshot of the Disney+ interface
Disney+: There’s something there for everyone, but probably not enough to seriously harm Netflix

Also interesting was seeing what kind of content each age group were most drawn to when deciding whether to sign up or not. 35 and older people (me!) were most drawn to the Star Wars stuff on Disney+ (that’s true for me!). 25 to 35-year olds, the group most likely to have young children and most likely to have grown up with Disney animated hits like The Lion King and Aladdin were most interested in Disney’s animated hits. And 18 to 24-year olds wanted to watch the Marvel stuff the most, the studio that has produced the biggest hits for Disney in recent times. It all makes sense!

But Disney+ is still no Netflix killer. For one, Netflix will have content from Warner Bros., Paramount and Sony, while Disney+ will obviously be limited to only Disney branded content. Disney has also said that Disney+ will be more family oriented, and so don’t expect to see series like Sex Education and You, or even the fantastic When They See Us. These would most likely end up on Disney’s other streaming platform, Hulu, if they ever get made. And that’s a big if because Disney’s original production budget is minuscule compared to Netflix’s ($500 million versus $15 billion). If anything, Hulu has a better chance of competing with Netflix than Disney+, especially if Disney decides to throw more content into the platform.

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Well, that’s all we have this week. Until next time!