Archive for October, 2012

Weekly News Roundup (28 October 2012)

Sunday, October 28th, 2012

So Windows 8 has been released. Having used the OS for a whole of zero minutes, I can offer my expert opinion that it is indeed a new version of Windows that offers some differences to the previous version, but also that some things remains the same. There are apparently quite a few good things in it, as well as some bad, and that if you really want it, you can get it by paying money for it. So that’s my 15 second review, hope it was very helpful!

If that wasn’t so helpful, then perhaps I can be a little bit more helpful with what you’re actually here for – the weekly news review. Let’s get started.

Copyright

The Finnish arm of Netflix managed to get itself into a little bit of a copyright trouble this week as subscribers found that the subtitles used for one particular TV series came from a fan-subtitle site. Netflix might have used pirated subtitles for the sci-fi TV series, Andromeda.

Netflix

Netflix Finland makes a boo boo by using pirated subtitles

Nobody knows how Netflix, who pays a lot of money to license official subtitles, ended up using subtitles created by DivX Finland (and you knew it was their sub because the subtitles displayed their website’s URL as part of the credits). Netflix have promised to launch an official investigation, and have temporarily removed the entire series from their system, but the folks at DivX Finland (probably no stranger to copyright issues) found the situation extremely ironic no doubt.

Copyright law I believe treats translations (and transcriptions) as derivative work, and that would still require the owner’s permission for distribution. The translation itself, as it does involve creativity, is also protected by copyright, copyright that Netflix infringed when it used DivX Finland’s subs without permission.

I have an extra interest in subtitle and subtitle download sites because I believe that my website was one of the first, if not *the* first website to host the download of DivX subtitles files (this would be June 2000, when DivX Digest was launched and user submitted/ripped subtitles were made available for download for a few dozen different TV shows and movies). The section only lasted about 3 month and at its peak, it contained about 500 different subtitle files – I discontinued the service due to potential copyright issues, and as I was doing all the updates manually at that time, it was also becoming too much work. Better organized websites had started to appear at that time as well, so I let them do their thing.

iPhone 5 and iPad Mini

By the quirks of the copyright law, jailbreaking an iPhone is okay, but jailbreaking a tablet is a no no

Some might argue that fan made subtitles should be considered fair use, especially if it’s the kind of thing that improve accessibility. It’s a shame nobody put the case forward to the US Copyright Office for their once-every-3-years copyright review, but given the results of the latest review, it was unlikely they would have been accommodating. The latest review sees the jailbreaking of smartphones continue to be exempted from copyright laws, but the arbitrary nature of these exemptions meant that “tablets”, despite sharing the same operating system as smartphones in most cases, are not part of the exemption.

The reasoning the Library of Congress gives for this oversight is that they found the definition of “tablet” too broad, as it could encompass things like laptop computers (more of a problem now that Windows 8 is out) or even e-book readers. For e-books though, DRM ripping remains legal, and now even in the case where DRM-free versions of the same books are already available.

But movie lovers mostly miss out. While DVD (and Blu-ray) ripping received a few more exemptions in the cases of educational use, non commercial use, and criticism and analysis, ripping for “space-shifting” (for example, to convert a DVD to a format playable on an iPad) remains illegal. This is despite the fact that everyone does it with little or no harm to anyone concerned, a fact made clear by Public Knowledge, one of the consumer rights groups that argued for an exemption for ripping.

The EFF also petitioned for video game console hacking to be exempted, but their appeal also failed to convince the US Copyright Office. In another blow, unlocking of phones purchased after January 2013 will also no longer be exempted.

In my opinion, these complicated and often arbitrary exemptions can be made a lot simpler if one simply followed the rule that any act that has no serious commercial implications (eg. DVD ripping for home use) should be considered fair use, as is everything in which the social benefits outweigh any commercial concerns. And all fair use should be legal, with specific exemptions being made for really popular acts in order not to criminalize a huge percentage of the population. How hard is that?

High Definition

With Mozilla all but signalling defeat in the battle to keep H.264 out of the HTML 5 specs back in March, the inevitable  is happening as Mozilla announced that the desktop version of Firefox will be getting OS-level native H.264 support soon. The mobile version of Firefox has already made this move, but with Flash still being a viable option on desktops, there was less urgency in adding in “native” H.264 support.

Mozilla’s beef with H.264 is that it doesn’t fit in with the open-source, royalty free nature of Firefox. But H.264 has become an industry standard as you’ll be hard pressed to find a modern device that doesn’t support H.264 these days (just as you would be hard pressed to find one that supports Mozilla’s favoured alternative, WebM).

Having OS based native support ultimately means that Flash won’t be needed. So in the end, it was really the choice between two evils. Flash and H.264, with H.264 winning in the end – not the worst result, if you ask me.

And I suppose I should talk about the iPad mini, at least from the point of view of HD video. There’s no doubt that 7-8″ tablets are the perfect consumption platform for video, which is why Amazon has the Kindle Fire, and why Google has the Nexus 7. I keep on getting the feeling that Apple will soon drop a bombshell that will completely shakes up the digital video rental and subscription streaming markets.

Gaming

Ubisoft has been making a concerted effort to distance the company from their past anti-piracy controversies, at least that’s what they said a couple of weeks ago. So you would expect the company to be extra careful to avoid any more anti-piracy related mishaps, at least for a short while. Well, the calm lasted about 6 weeks, as this week, Ubisoft enraged paying customers yet again by forgetting to include the CD key in retailed boxed PC versions of their new game, Rocksmith.

It took about a week for Ubisoft to respond, and even then, some customers were still left without a playable game for an extended period of time after going through the process. For those affected, they would need to provide proof of purchase to Ubisoft via their tech support website, which can be problematic for some if they’ve already discarded their receipt before realising Ubisoft’s mistake. Ubisoft has promised to compensate affected users with a free DLC (worth a whole $2.99), but it might very well be a case of too little too late for a company that couldn’t afford any more anti-piracy related scandals.

Sony PS3 Hacked

The “LV0” master keys leaked for the PS3 may prove the most costly to Sony yet, and make all future attempts to secure the console a very difficult proposition

Another gaming company that’s been trying to distance themselves from past issues is Sony, and their attempt to dig their way out from the various hacking scandals. But Sony does not appear to have any more luck than Ubisoft, with the news this week that a new set of master keys have been leaked for the PS3, keys that may make all future attempts to secure the console futile.

The new leaked keys, dubbed the “LV0” keys, could potentially prevent Sony from being able to secure the console again via a new firmware patch, which has been the go to solutions since the initial hack of the console, and when Sony managed to at least partially re-secure the console via the 3.56 firmware release.

While it’s disingenuous to blame these hacking attempts on Sony’s decision to pull support for Other OS, a popular PS3 feature (for the hacking community) that allowed Linux to run on the console – it’s very likely that the PS3 would still have been hacked due to the poor programming choices made by the security programmers – but it seems Sony’s decision to turn their backs on the hacking and modding community, having earlier promoted the console’s versatility and specifically the Other OS feature, does seem to have cost them. It certainly engergised the hacking community, and what we’re seeing now is the result.

Alrighty then, that’s it for the week. Back in seven with more news you can miss and it still won’t make a difference to anything in your life at all!

Weekly News Roundup (21 October 2012)

Sunday, October 21st, 2012

Welcome again. Hard to believe 2012 is almost at an end. If the world is really going to end soon, then it does seem very quiet considering what is about to happen. The calm before the solar-flare-induced-mega-storms perhaps. While we wait for the obligatory twenty-storey high mega-tsunamis to arrive, the rise of Blu-ray continues unabated (I know, shit segue). The release of The Avengers on Blu-ray for the last week of September has allowed Blu-ray to post a record set of market share figures. For that particular week, 44% of all discs sold in the United States were Blu-rays, with The Avengers movie itself getting a Blu-ray sales share of 71.65%, selling more than 2 copies on Blu-ray or Blu-ray combo for every DVD version sold. There are still a couple of big releases coming, and with the holidays tending to favour Blu-ray over DVD if recent trends hold, the magical 50% mark may very well be broken in 2012. As long as the world doesn’t end before then.

An okay-ish news week, not too much, but a few interesting ones to waddle through. Let’s get started.

Copyright

I’m a huge Star Trek fan, and one of the most remarkable things about the series, from the Original Series, to the barely bearable Enterprise, is how it manages titillate us with visions of how we can all benefit from future technologies (some of which have even become reality, for example the earlier communicators and flip phones, or more recently, the Padd and iPad). Having grown up with The Next Generation, the technology that excited me the most (other than the Holodeck, which was an offshoot of the same technology) was the replicator. To be able to create matter from energy, and thus be able to create anything you want at the touch of a button, is to me, the holy grail of science and a technology that will change the way everything works.

The Pirate Bay 3D Ship Model

3D printing could solve world hunger and make a medical breakthrough one day, but DRM is casting its shadow on yet another promising technology

So the emergence of 3D printing, for me, is an exciting one. While the current generation of 3D printers are severely limited in scope in relation to what they can and cannot create (remember back to the first ever 2D printer, and how limited they were compared to printers of today), it feels like the start of something new and brilliant. And when The Pirate Bay launched their “physibles” section, to allow schematics to be shared, downloaded and printed, with their altruistic, perhaps right now unrealistic aim of being able “print food for hungry people”, it seems that we might be heading towards something really exciting.

And then reality sets in.

This week, a company headed by a former Microsoft CTO has been granted a patent that will add DRM to physibles, to prevent the unauthorised printing of everything from plastic toys, to edible foods, even to human skin. The terribly exciting future has just been shacked to the horribly restrictive past.

Just imagine, Captain Picard ordering a cup of Tea, Earl Grey, Hot, and instead of a cup of delicious tea appearing, the English tea drinking Frenchman is instead asked to key in the serial number for both the tea and the cup it comes in, before waiting for the ship’s computer to receive, via subspace, the authorisation unlock code that would permit good old Jean-Luc to be able to finally enjoy his cup of tea. Of course, the created objects would just have to be programmed, within its molecules, to self-destruct or to do something even more horrible if Picard does not return the items promptly back to the replicator for disassembling after enjoyment, as this is a condition that’s been written down in the 60 page license agreement that Picard had to agree to before being allowed to even order the drink.

Even the Ferengi aren’t that avaricious, I suspect.

American Assembly - Copy Culture Survey - Music File Collections: P2P Users vs non-P2P Users (US And Germany) Source: American Assembly

People who pirate a lot of music, have more music and buy more music. Not rocket science, but still doesn’t seem to be well understood within the music industry.

To the credit of the music industry, they moved on from DRM pretty quickly, if not quietly. Although it’s probably something they still regret to this day. What they haven’t moved away from is their desire to punish their enemies: the music downloaders that they call “thieves”. But a new comprehensive study has found that, perhaps to the surprise of only the music industry themselves, people who pirate a lot of music are also the music industry’s best customers.

There seems to be this idea that there are two mutually exclusive groups of people, downloaders and buyers, when in reality, people who buy also download. And if you think about it, it isn’t all that surprising that people who download a lot of music actually love music, probably more so than people who don’t download as much. And music lovers buy more music.

And this is where I think the industry’s anti-piracy strategy fails, because by trying to kick pirates off the net, they may end up keeping their best customers from being able to continue buying. The correct strategy, in my opinion, starts with identifying the reasons why people that buy a lot of music also chooses to download some of them at the same time. It will be a complicated answer, but I don’t think it’s in anyone’s interest to simply labels these people as “thieves”.

Do they only buy content that they’re sure is “good”, and use piracy as a way to discover new content (might this explain why for music, Spotify is doubly good in allowing people to use it instead of piracy to discover music, and at the same time monetize the free streaming)? Did they simply run out of money and did not want to stop experiencing new music? Is it an issue of availability, ease of use? The answers to these question should then determine what the anti-piracy strategy should be.

The study also revealed that music downloading is actually a much smaller problem than traditional piracy methods, including sharing with friends/family and good old CD ripping. This corresponds with the RIAA’s own research on the matter and it kind of makes a mockery of the claim that the music industry’s sufferings started with the emergence of the Internet. You do have to wonder if there’s another agenda in play for putting so much focus on the web piracy, rather than just a major case of scapegoating. Perhaps by exaggerating the Internet piracy problem, the industry can get policymakers to step in and help protect their dying business model. And perhaps the right lobbying will also give the industry more control over content distribution on the Internet to ensure a bigger than warranted slice of any eventual pie.

And in the eagerness of help, policymakers ended up creating copyright laws that either don’t reflect real world situations, or are so heavily biased, cause everyone to become hysterical about the whole thing. ISPs and web hosts have been the front lines of this war, unfairly so in many cases (ISPs are no different to telephone companies, and web hosts are akin to landlords that rent store-fronts to businesses – neither of them should be made liable for what their customers/tenants get up to, especially when they cannot be aware of what’s going on without taking extraordinary measures, such as spying on their customer/tenants). And their fear of getting sued has allowed some ridiculous situations to develop.

Just this week, web host ServerBeach deactivated an account hosting 1.45 million educational blogs because of a single DMCA notice for a single page on just one of these blogs. This particular example may point more to a communications breakdown between web host and client, as opposed to being simply a case of copyright hysteria, but ServerBeach’s written DMCA policy still seems to be a case of deactivate first, ask questions later. ISPs and web hosts need to know their “safe harbor” rights, and should be willing to defends these rights even as rights holders try to water it down to suit their own agendas.

The Pirate Bay Cloud Hosting

The Pirate Bay moves to the cloud to create a more resilient, more raid-proof version of the website. Source methodshop.com @ Flickr, Creative Commons

And if web hosts can get into a tizz about a single link on a single page on one of 1.45 million blogs, then you do wonder sometimes how the hell The Pirate Bay manages to find web hosts willing to host their stuff. But the TPB folks seems to be well aware that this is either already a problem or will be in the near future, and so they’ve turned to the mythical cloud for their solution. Moving The Pirate Bay’s website to the cloud does seem like the most sensible thing to do for the website that’s often the target of law enforcement, and also victims of their own success (being so popular and all, the logistics of keeping the website online, on a budget, cannot be easy).

By using virtual machine instances on cloud providers in different countries, and with everything to and from the cloud encrypted (un-snoopable, and with the cloud provider probably not even aware of what is actually being hosted), a new layer of resilience, privacy and security has been added, and all apparently for a lower cost than before. If one cloud provider goes down, another can be sourced easily and a new instance can be made up and running in short order. Replicate this that a couple of times more, and trying to kill TPB would then be as difficult as slaying the mythical Hydra – cut off one head, and two more will take its place.

All the unwanted attention that TPB has be getting, with authorities trying to trap the elusive website with ever more elaborate mousetraps, seems to have only produced one thing: a better mouse!

And now for the best part of the WNR – the end of it! See you next week.

Weekly News Roundup (14 October 2012)

Sunday, October 14th, 2012

Welcome to the two hundred and sixty third weekly news roundup – may the news be ever in your favour. Yes, I’ve recently watched and read The Hunger Games (and the other two books in the trilogy too), stories that are right up the alley for a self confessed post-apocalyp-fanatic like myself. My favourite character in the book is Buttercup. Why does Buttercup have to be a black (and white) cat in the movie, not gonna lie, kind of ruined the movie.

It’s one of those weeks where everything appears perfectly calm, and then everything sneaks up upon you in the last minute. A couple of stories have been intentionally left to next week in case there’s a drought of stories. Let’s get started.

Copyright

Sometimes you read a story and you can’t help but feel sick to your stomach at the whole copyright lobbying machine that has been created by the unholy marriage between the copyright lobby and the US government. Attorney General Eric Holder this week revealed that the DoJ has been spending tax payer money helping the music and movie industries spread their propaganda overseas, or to state it in a more neutral manner, to help “educated” thousands of foreign judges, prosecutors, investigators and even policymakers.

Eric Holder

Attorney General Eric Holder is proud of the fact that the DoJ has been “educating” foreign judges, prosecutors and policymakers on copyright issues

In other words, the DoJ, at tax payer expense, has been peddling the often exaggerated “facts” that have no doubt been provided directly by the likes of the MPAA and RIAA, all in the name of helping to keep America’s economy strong (by helping these industries holding on to outdated business models, and denying the potential of the Internet).

What made me sick though was suddenly remembering what SOPA/PIPA would have allowed the DoJ to do – to go into these foreign jurisdictions and sue IP “thieves” (again using tax payer funds) on behalf of the likes of Sony and Fox (who obviously can’t afford to hire their own lawyers). They would be putting their case in front of foreign judges that they have already spent vast sums “educating”, judges that will rule based on laws made by policymakers that the DoJ have also been “educating”. Well it’s a shame for them though that SOPA/PIPA didn’t pass, isn’t it?

And it’s not as if the US even needs to educate other countries in how to be totally over-the-top when it comes to copyright enforcement – these other countries have their own lobbyists too, you know. Like the UK’s Federation Against Software Theft (FAST), and their attempt to stop 4G piracy before it even starts.

Despite the high cost of 4G bandwidth, FAST says that this could become a real problem sometime in the future, and therefore, it is asking the regulators to take a serious look at this and other technologies. No doubt the “other” may eventually include public Wi-Fi hotspots, regulations on which may very well kill off these ever more useful services.

So despite almost no evidence that any technological measures have worked so far, let’s all just concentrate on implementing more technological measures for technology that has barely been launched yet. And instead of thinking about what you can do with new technology, let’s first work out what you definitely shouldn’t be allowed to do first!

Spotify Logo

Spotify helping to reduce piracy? The stats seems to point that way …

It’s this kind of backwards thinking that, I think, has hampered any real effort to combat online piracy. And a new study confirms that, in most cases, fighting piracy should be done by giving the people what they want, not stopping them doing what they’re already doing. Against staying in the UK, Musicmetric’s Digital Music Index report found that music BitTorrent piracy rates were more likely to decrease  in regions that has access to Spotify, than in regions that did not have the freemium based streaming service.

Out of the top 10 countries that saw the fastest decreasing music BitTorrent rates, 5 of them had Spotify. Out of the top 10 countries that saw rising music BitTorrent usage, only one of them had access to the service. Interestingly, the odd one out on this occasion was France, the country with one of the toughest anti-BitTorrent regimes in place!

But you don’t need a degree in, well, anything to know that competing with piracy does a better job of defeating it than simply trying to prevent it. Spotify does that in spades, and that’s why it’s so popular.

Megabox Screengrab

A screengrab of the upcoming Megabox website, highlighting “exclusive artists” including ‘The Black Keys’, ‘Rusko’, ‘Two Fingers’ and ‘will.i.am’

What may also become popular is Kim Dotcom’s next venture, Megabox. This week, Dotcom revealed that coding for the new music downloading website is 90% complete. The news that the “new Mega” might launch this year, before even the extradition proceedings have been completed for Dotcom, should rightly annoy the U.S. prosecutors handling the case. Megabox, for those that don’t know, aims to cut out the middleman, the record industry championed by the RIAA (who was probably instrumental in getting Megaupload taken down), and to connect music fans directly with artists. Artists will get 90% of all revenue earned via advertising associated with the site, as well as from direct music purchases. As for fears Megabox will face the same fate as Megaupload, Kim Dotcom assures us that this will be “impossible”.

What also isn’t possible, at least right now, is for Doctom and Megaupload to extricate themselves from the criminal case pending in the U.S. A judge this week ruled against Megaupload’s motion to dismiss, siding with prosecutors who believe that it is indeed possible to launch proceedings against a company that doesn’t actually have an U.S. office. There are still some procedural concerns though that the judge has left open for future examination of the dismissal question, including the actual handing over of the charging documents that prosecutors have failed to do so far. With extradition proceedings pending until early next year, any permanent ruling over the motion to dismiss will have to happen afterwards.

Gaming

It’s that time of the month again. For 21 months in a row now, the Xbox 360 has been crowned the best selling home based console, beating the PS3 and the Wii (probably in this order) in the NPD monthly sales report. With both Sony and Nintendo tight lipped again about their sales figures, there will be no NPD analysis this month again. The September reporting period may also have included (or just missed out on) a couple of days of sales for the PS3 Super Slim, but no statement was forthcoming from Sony at the current time.

For the Xbox 360, it managed to sell 270,000 units, down some 38.4% compared to the same month a year ago. Even with the decline in sales, it managed to account for 49% of home based console sales, meaning that even when you combine the Wii and PS3 numbers, they’re only a tiny bit more than just the 360 number by themselves.

Not long to go until the Wii U, so Microsoft better make the most out of their current “victories”.

That’s that for the week. See you again in seven days.

Weekly News Roundup (7 October 2012)

Sunday, October 7th, 2012

Welcome to another edition of the Weekly News Roundup. A very short roundup this week because news has been very meh-ish this past week. Could be just me not paying attention though, so don’t blame me if SOPA II was passed and it’s not mentioned in the passages below. Well okay, blame me if you like 🙂

Copyright

Following some big profile mistakes, and embarrassing bird song related gaffes, Google has decided to implement a few changes for YouTube’s sometimes controversial Content ID program. For those that don’t know, Content ID is an algorithm that scans uploaded YouTube videos for infringing content. And as with any automated system, false positives are always going to happen.

YouTube Content ID

Content ID has been improved by YouTube, adding in a new appeals process, as well as smarter detection of “unintended claims”

Previously, a video flagged as infringing by Content ID will be blocked automatically, with the uploader free to dispute the claim. But if the dispute is rejected, the video stays blocked. With so many claims and so many disputes, content holders sometimes get overwhelmed to the point where the intern they’ve “hired” to do the job of processing these disputes will simply dismiss them all. This left uploaders who are certain the claim was false without further recourse (as was the case in the bird song case).

Now, uploaders will get the option to further appeal the dismissal of their dispute claim, and firmly smash the ball back into the rights holder’s court. Rights holders will now have to either release the original claim, or file a formal DMCA notice to keep the block in place. A surprisingly sensible copyright related change from Google given recent announcements, but one that some of the lazier rights holders might complain about.

The other changes involve more back-end stuff that most users may not notice. A new category of “matched” videos will be added, for those that appears to contain infringing content, but are also likely to be, in Googlespeak, “unintentional claims”. These “unintentional claims” will be put in a queue for the rights holder to manually review. Google’s original blog post regarding these changes simply mentioned “manual review”, and some had thought that Google would manually review these less than certain matches, which would suggest a rather big change in strategy for Google. But Google later clarified that was not the case, and common sense suggests that something like this would never be the case (because manual review equals human input equals liability).

In any case, I hope these changes will hopefully restore some semblance of balance back to YouTube’s over-sensitive anti-piracy system. More needs to be done regarding fair use content though, maybe an option uploaders can set to indicate the possible presence of fair use.

But Google’s well noted “one hand does not know what the other hand is doing” approach that has so far allowed the company to escape censure for being a monopoly, also gives us the next story. So while YouTube is at least trying to bring balance back to anti-piracy, Google’s money maker, AdSense, has been accused of being overly paranoid in its anti-piracy approach.

Copyleft Logo

Despite making his book available via a Copyleft license, Google deemed The Pirate Bay and Demonoid links to the book on the author’s own website as copyright infringing

Unlike many other advertising programs for website owners, AdSense has a relatively loose set of entry requirements (many other ad websites require manual review of sites before they’re allowed in). Webmasters are required to ensure their websites do not violate Google’s policies, including not hosting ads on websites that may carry or link to infringing content. Fair enough. But when all you’ve done is to link to a torrent to a copy of your own, freely available book that just happened to be posted on The Pirate Bay and Demonoid, then perhaps getting your account banned may just seem a tiny bit over the top. But that’s exactly what happened.

What happened to Iraq veteran and Python (the programming language, not the reptile) enthusiast Cody Jackson isn’t an isolated incident though. But unlike Jackson’s story, which forced Google to rethink its ban after his story received much publicity, others are unlikely to have the same great eventual outcome. The worst part of Jackson’s story is that he actually did try and appeal his account suspension, but despite a review of the ban, Google failed to reinstate his account. “Going to the press” appears to be the only recourse for many when going up against the faceless behemoth that is Google, these days.

As for the “crime” in question, it’s yet another case of guilty by association. That somehow everything on The Pirate Bay or Demonoid must be pirated, that even the technology itself is tainted somehow (leading Google to block tame keywords like “torrent” from their auto-complete and instant search features). It’s the kind of lazy solution to big problems we’re used to seeing in the Internet era though.

With Panama going all copyright crazy last week, this week, it’s Japan’s turn. To be fair, Japan had announced their plans some time ago, but it only went into effect this month.

Japanese Prison

Downloading a single piece of pirated music could land you here, in a pristine looking Japanese prison

Unlike most copyright laws, which mainly target those that make available pirated content, Japan’s new laws target those on the receiving end too. Downloaders will now face fines of up to USD $25,000, in addition to a prison sentence of up to 2 years. For those that do upload, possible including BitTorrent downloaders, the fine is quintupled, as is the maximum prison sentence.

The only silver lining is that YouTube watchers may continue on as they were without having to do some forward planning and learn how to make toothbrush shivs (although I suspect Japanese prions are just as orderly as the rest of their society, for this little accessory not to be needed). Viewing infringing videos on YouTube or other streaming sites won’t be subject to these new harsh laws, as these are not counted as “downloads” (although whether the download cache used by your browser count as downloads or not is unclear, as it using a YouTube downloader tool – I suspect the former is fine, the latter probably not).

It won’t come as a surprise to our regular readers that the main driver behind these new changes was Japan’s equivalent of their RIAA, the RIAJ. And it probably won’t surprise you at all to know that the RIAJ’s current chairman is also the current chief executive of Sony Music Entertainment Japan. This folks is what happens when you let companies like Sony decide what copyright law should be like.

Which nearly was the case when SOPA/PIPA were still viable options, and may very well have been the case this week when SOPA II was passed into law. We’ll never know!

Nearly bed time, daylight savings robbed me of an hour of sleep today (boo!), so gotta adjust quickly. See you next week.