How are you on this frosty Sunday morning? Hope the week has been good to you. Once again, we take a look at the most interesting news of the week, and for once, we actually have a few to go through. So let’s get started!
Just what is going on? More Ultra HD Blu-ray rips have started to appear on the usual download sites, and nobody seems to know just how exactly
they were ripped. It appears unlikely that UHD Blu-ray’s main copy protection mechanism, AACS 2.0, has been ripped, since this would be big news and news that any cracking group would likely share. So this then leaves the possibility of some kind of workaround or flaw that exists, that is allowing these heavily protected discs to be ripped.
This reminds me of the HDFury incident from last year, where HDCP protected 4K streams were being ripped and the mystery behind the ripping was solved when Hollywood launched a major lawsuit against the company that made HDFury, a device that allowed HDCP 2.2 to be ripped.
So it remains absolutely possible that there may be some kind of workaround for ripping AACS 2.0. Perhaps a software player that has an exploit, that kind of thing.
Stay tuned for more info.
Also in copyright news, but not really copyright news, Sony have come up with a brilliant new idea that has many Hollywood artists angry. Sony plans to release family friendly “clean versions” of films with selected digital purchases, removing profanity, sexual references and violence from these films.
Some say this isn’t a big deal because these versions already exists for TV broadcasts and on flights and nobody has made a big fuss over them. But others says this kind of censorship takes the creative decision out of the hands of filmmakers, and it usually means a poor and really obvious job (lots of calls of “mothers”, for examples) that’s to the detriment of the film itself. And while this kind of things was tolerated for TV broadcasts and airlines due to their specific legal requirements, Sony have done this without any kind of significant legal or moral pressure, and this is what also makes artists angry.
Storm in a teacup? Or storm in a motherfu**ing teacup? Don’t know.
So the big gaming news of the week centers around E3 and the official launch (or is it the second official launch) of the Xbox One Scorpio, now known as the Xbox One X. Most of the details about Microsoft’s upgraded Xbox One is already known, but we didn’t know the name (see previous sentence), the price (USD $499) and what it will look like (black monolithic box). And now we know these things.
The only major surprise was that Microsoft managed to build a 4K console and fit it into a box smaller than the now entry level Xbox One S, and that’s kinda cool.
At $499 though, it’s asking a lot of gamers, many of whom only recently shelled out for a Xbox One or PS4, but that’s the price of 4K I guess (and it’s still cheaper than building your own 4K gaming PC).
A lot of critics are warning that the ‘X’ won’t be a success because it’s too expensive and hardly anyone has a 4K display. This is true, but Microsoft isn’t just building the console for today (or November 7, when it is released), it’s building it to last until the next console generation starts in about 3 years or so. At that time, I think we may look back on the PS4 Pro and Xbox One X and be able to point to only one of them as a true 4K gaming console.
Of course, this relies on games being able to take full advantage of the 6 teraflops of power the Xbox One X offers – developers have so far not produced the goods for the PS4 Pro when it comes to making the case for the the console existing at all (but 1 in 5 PS4 buys today is a Pro, so that’s not too bad – overall, 60 millions PS4s have already been sold), but they may have a bit more to play around with in regards to the ‘X’.
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And with that, we come to the end of another WNR. Hope you’ve enjoyed reading this one, see you next week!